Somehow I have always found myself attracted to (semi) abstract and expressive art. I find vivid colours, bold lines, weird brushstrokes, twisted shapes and quirky faces a lot more interesting than hyper realistic paintings.
I don’t aim to show the obvious, but what might be there if you take a moment to look inside yourself, shake your emotions and listen to your heart. The best part of exhibition openings is listening to what stories people tell each other while looking at my artworks over a glass of wine. Sometimes their stories lead to new paintings.
For some time now (4-5 years) I have been working systematically on abstractifying my art through extensive explorations in mark-making, layering and textures. While composition and contrasts are really important, I sometimes find that both colour and shape can be quite overwhelming, so lately I have felt the urge to limit myself hoping to reach a new level of insight.
So what’s up
This month I had a great deal of fun by opening some of my large rolls of paintings. To my surprise I had forgotten many of these paintings and I’m already looking forward to continuing the process this summer in my outside studio.
Of course I continued working on my abstract series on canvas and made a few smaller studies on paper. It seems that my abstract series is evolving and that some of the paintings are bridges over to another semi abstract series. I think I might go for an exhibition after all.
This month I’ve spent some time at the National Museum in Oslo. I especially like the modern art section (room 75-88) on the second floor. And to my surprise I also found loads of inspiration from Fashion Design and Royal Costumes (room 30-31) on the first floor. Unfortunately I missed the temporary exhibit with Carrol Dunham on the top floor. I will definitely go back several times. Check it out next time in Oslo!